Now I try to realize my very old idea: to
create series of materials about the very details of theater life. This
behind-the-scene stories will came from the source: from our theater
personalities. So, let me introduce Dovgan' Tatyana Alexandrovna.
Since year 2000 she is a manager of the
literature department in our Sevastopol Academic Russian Dramatic A.
Lunacharsky Theatre. What is the work of the manager of literature department
consisting of? On the official web-page of the Theater you can read: "…she
is responsible for preparing of historical and culturological materials for
Theater's performances, makes press-conferences and communicates with
mass-media. Together with the art-director she determines the repertoire and
keep contacts with contemporary playwrights". But what does
"preparing of historical and culturological materials" mean?
Tatyana Alexandrovna told me about it shortly
and I try to write here this story. Theatre has a new premiere in a 2 days,
everything and everyone is in a hurry now, so we couldn't make a normal
interview.
When coming to the performance we are used to
see spectacle for 1,5-2 hours, not longer. But have you ever think, that
original plays are 4 or even 6 hours long!!! Tatyana Alexandrovna makes a huge
work over the texts in order to get into the performance's timetable and keep
for us all cause-and-effect relations, all intrigue and let's say the very
heart and soul of the original.
More...
Next part of literature manager's work includes
in finding an authentic lifestyle picture of the described period. This is not
only architecture, interiors and costumes, but also songs and dances, language
and dialects, habits, anecdotes, popular amusement. In such research, for
example, had been discovered the fact that famous mariners' dance
"Yablochko" (The Apple) was not created at the decks of rebel cruiser
"The Aurora" but appeared much more earlier in the middle age
Moldavia culture!
If we take the performance as a kind of
time-machine, literature manager should be the navigator of this magic device.
It is hard to imagine, what should be the erudition level of such person! What
knowledge desire must she have! What teaching abilities she needs to pass her
knowledge to stage director and actors, to costume-makers and decorators in
order to merge all this talents together and cast from this alloy a completely
new creation moving its spectators through the time end epochs. Really, theater
is an alliance of very peculiar persons and this alliance creates a real magic
for our pleasure.
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